Two Blankets, Three Sheets


A humorous account of a nine-year wait

Amsterdam Airport, 1998. Samir Karim steps off a plane from Vietnam, flushes his fake passport down the toilet, and requests asylum. Fleeing Iraq to avoid conscription into Saddam Hussein’s army, he has spent seven years anonymously wandering through Asia. Now, safely in the heart of Europe, he is sent to an asylum center and assigned a bed in a shared dorm—where he will spend the next nine years. As he navigates his way around the absurdities of Dutch bureaucracy, Samir tries his best to get along with his 500 new housemates. Told with compassion and a unique sense of humor, this is an inspiring tale of survival, a close-up view into the hidden world of refugees and human smugglers, and a sobering reflection of our times.

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Publication date

9 January, 2020




Rodaan Al Galidi

Rodaan Al Galidi is a poet and writer. Born in Iraq and trained as a civil engineer, he has lived in the Netherlands since… Read more

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Book Club Questions

  1. To what extent has Al Galidi succeeded in making the endlessness of the long wait visible to you as a reader?
  2. In one review it was noted that it is surprising that Two Blankets, Three Sheets is not a melancholy book. To what extent do you share that opinion?
  3. Several reviewers and interviewers have called the novel humorous. How did you experience this?
  4. Many Dutch reviewers claimed Al Galidi had held up a mirror to them. What do you think they saw in that mirror? How similar is this to the situation in your own country? How confrontational was this book for you?
  5. In an interview, Al Galidi quotes Tolstoy’s statement: “The greatest freedom for us as human beings is the freedom to change our opinion.” How did Two Blankets, Three Sheets change your opinion about refugees and how they deal with them in your own country?
  6. In the book it becomes clear that many asylum seekers lie in order to weave their stories together. What are the main causes of this, and who can blame them?
  7. There is a whole procession of asylum seekers and their stories passing by in Two Blankets, Three Sheets. Which of these anecdotes or portraits struck you the most, and why?
  8. Do you think Al Galidi gives a nuanced picture of asylum seekers? Which examples of ‘good’ and ‘bad’ stories are told?
  9. How did you read the story about the period that Samir spent with dozens of other asylum seekers at the farm? With whom was your sympathy, the farmer or the asylum seekers, and why?
  10. The story is quite extensive and consists of short chapters. How did you experience this structure? And what effect did this have on the intensity of the novel?
  11. What influence could the book have if everyone reads it?
  12. How did you like the style of the writing in general?
  13. Do you think the ending is hopeful? Why, why not?


An absolute treat…Al Galidi has an eye for the absurd…all the more striking because of the lightness of the telling.’ —John Self, Irish Times

‘Two Blankets, Three Sheets does for the beleaguered political asylum seeker stuck in legal limbo what Joseph Heller’s Catch-22 did for the hapless soldier trapped in a military at war…Translated from the Dutch into nimble and conversational English by Jonathan Reeder…it is a tale for and of our time.’
—Rayyan Al-Shawaf, Los Angeles Review of Books

‘At once funny and bleak, this novel by the Iraq-born Dutch novelist draws on his personal experiences to expose the cruel and often absurd procedural challenges that immigrants must endure…an engrossing and exasperating novel. Two Blankets, Three Sheets is a tale of belonging and what it means to be human in a world that deems people less important than government protocols.’ —Matt Hanson, Words Without Borders

‘No other book I have read makes the soul-destroying effects of European asylum procedures more vividly clear than this one.’ —Andrew Moravcsik, Foreign Affairs

‘This frank and poetic account of a life in limbo yields a story with universal power that transcends borders and cultures, with more than a touch of Catch-22‘s black humor.’ —Shelf Awareness

‘Ably translated into English for an American readership by Jonathan Reeder, Two Blankets, Three Sheets is a deftly written and engaging novel that showcases author Rodaan Al Galidi’s exceptionally effective narrative storytelling style.’
Midwest Book Review

‘A challenging portrait of Dutch hospitality. Absolutely recommended’ —The Correspondent

‘The dilemma of the desire for survival set against one’s moral compass brings to mind George Orwell’s Down and Out in Paris and London; Samir’s attempts to make the best of his protracted detention has much in common with the plight of the stateless Tom Hanks in Steven Spielberg’s film The Terminal.’ —DUTCH FOUNDATION FOR LITERATURE

‘Al Galidi writes this novel based on his own experiences, but he manages to cover that up so well with his fluent writing style, a sense of humor and an absence of resentment. A real feat in his case. The lighthearted way in which he writes about tragic experiences makes this a very impactful book.’ —Kristien Hemmerechts, author of The Woman Who Fed the Dogs

Two Blankets, Three Sheets is an interesting, rich novel on fear, insecurity, arbitrariness and hopelessness.’ —Guus Bauer, author of Bird Boy