The Farm

A nostalgic and wild family saga

In his latest novel The Farm, Héctor Abad presents us with the moving story of a closely-knit Colombian family. When the Ángel family’s beloved home in the Antioquian wilderness falls into danger, they manage to defend it against the guerrillas and, later, the paramilitaries – but at a high price.

After their parents’ death, Pilar, Eva and Toño have to decide the fate of their father’s legacy. While Pilar and Toño want to keep La Oculta, Eva, who experienced something terrible at the old farm house, is determined to sell. As the siblings each struggle with their own problems, their inner conflicts threaten to tear apart not only their home but also their family.

Written in precise and atmospheric language, the Ángel family will win the reader’s heart immediately.

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Categories: ,
Translator

Genre

Pages

400

Paperback ISBN

978-1-64286-010-8

Ebook ISBN

978-1-64286-055-9

Region

Publication date

4 October, 2018

Price

£12.99

Author

Héctor Abad

Héctor Abad was born in Medellín, Colombia, in 1958, where he studied medicine, … Read more

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Book Club Questions

  1. The book is written from the multiple perspectives of three siblings: Pilar, Antonio, and Eva. Which sibling did you most identify with, and why?
  2. How do you think this changing of perspective added to the story? What was the book able to do that might not have been possible through the viewpoint of a single narrator?
  3. Can you say a little about the relationships between the three siblings? What do you think Toño’s and Eva’s relationship is like, or Eva’s and Pilar’s, for example?
  4. In what ways do the three siblings differ in their attitudes toward the farm?
  5. How do you think Eva, in particular, feels about the farm after everything that happened to her there?
  6. Do the differences in opinions cause conflicts between the siblings, or are they able to resolve all their issues?
  7. How does the landscape play a role in the story? What do you think life in such a remote area of Colombia would be like?
  8. Do you think life in the cities in Colombia would be very different to life in the countryside? In what ways? Why not?
  9. What do you think was the biggest threat to the farm? Was it worth fighting for? Why, why not? What do you think you would have done in a similar situation?
  10. How does the environment described by Abad compare to your own surroundings? Are there any threats in your own city/town/local area? If so, what are they, and how could they be solved?
  11. How does Toño’s partner feel about the farm? How does he view Toño’s attachment to it?
  12. How important is the history of a family or a land? Should one strive to know the details of one’s ancestors, or should one simply move on and look to the future?
  13. How much do you know about your own family history and the history of the land on which you live? Is it something you would like to know more about? Why, why not?

Reviews

‘Best translated novel of 2018’ Financial Times

‘Despite ever-present terror this is a ruminative, delicate tale, vivid with Colombia’s natural beauty as well as its bloodshed’ Daily Mail

‘Abad’s finely crafted novel not only expounds its narrators’ contrasting attitudes towards sex, rural life and tradition in a modernising country, but also tells in fictional form the true story of an attempt to create a rural middle class in Colombia’ —The Economist

‘I store up what I have read by Héctor Abad like spherical, polished, luminous little balls of bread, ready for when I have to walk through a vast forest in the nighttime’ —MANUEL RIVAS

‘A pensive novel of a rural family torn by conflict and incomprehension. A graceful story that takes its time to unfold, with much roiling under the surface of the narrative’ —Kirkus Reviews

‘Abad’s arresting novel is a brilliant lesson in Colombian history’ —Publishers Weekly

‘The Farm is a sweeping, satisfying tale about the interplay of family life and national history. With perceptive novels like this one, Abad is carving out an enviable niche in Colombia’s celebrated literary tradition’  —KEVIN CANFIELD, World Literature Today